Long Play 2025

SCHEDULE

Tim Hecker / Loidis (SUPPORT PASS PREVIEW)

Thu, May 1 7:00pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

A Special Long Play Preview for Supporter Pass Holders

Tim Hecker is a Canadian composer and musician exploring the intersection of noise, dissonance, and melody, fostering an approach to songcraft which is both physical and emotive – “structured ambient,” “tectonic color plates,” “cathedral electronic music.”

Loidis – an alias of American techno producer and DJ Brian Leeds – creates swirling ambient, minimal, and dub techno.

Valentina Magaletti

Fri, May 2 7:00pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

Valentina Magaletti is a drummer-composer and multi-instrumentalist with an inventive approach to drums and percussion. Her versatile technique, which can incorporate anything from vibes and marimba to contact microphones and found objects, results in a style that is forever evolving.

Kim Gordon with Kassie Krut and I.U.D.

Fri, May 2 7:30pm
Pioneer Works
159 Pioneer Street, Brooklyn, NY 11231
Pioneer Works

Kim Gordon and her band perform a set of songs from her latest solo album, the Grammy-nominated, The Collective. Opening for Kim Gordon is I.U.D. and Kassie Krut.

Henry Threadgill (World Premiere) / Peter Evans’ Being & Becoming

Fri, May 2 8:00pm
Roulette Intermedium
503 Atlantic Avenue, Brooklyn, NY 11217
Roulette

Long Play presents the world premiere of Henry Threadgill’s Listen Ship scored for two pianos and six guitars! Featuring pianists Maya Keren and Rahul Carlberg, guitarists Brandon Ross, Bill Frisell, Gregg Belisle-Chi, Miles Okazaki, Stomu Takeishi, and Henry Threadgill, conductor.

Formed by trumpeter and composer Peter Evans in 2017, Being & Becoming synthesizes an enormous range of influences and the incredible stylistic diversity of the band members. Peter Evans – trumpets, compositions / Joel Ross – vibraphone, synth / Nick Joz – bass, bass synth / Michael Shekwoaga Ode – drums.

Single tickets available for this show – $50

Anthony Braxton’s Composition No. 19 (For 100 Tubas)

Sat, May 3 12:00pm
Fort Greene Park
Dekalb Avenue &, S Portland Ave, Brooklyn, NY 11205
Fort Greene Park

Anthony Braxton is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians.Composed in the early 1970s, Braxton’s Composition No. 19 is a processional performance for 100 Tubas – FREE in Fort Greene Park!

American Opera Projects plays Arvo Pärt

Sat, May 3 1:00pm
South Oxford Space
138 S Oxford St Suite 1C, Brooklyn, NY 11217
South Oxford Space

Arvo Pärt is one of those composers in the world, whose creative output has significantly changed the way we understand the nature of music. In 1976, he created a unique musical language called tintinnabuli, that has reached a vast audience of various listeners and that has defined his work right up to today. There is no compositional school that follows Pärt, nor does he teach, nevertheless, a large part of contemporary music has been influenced by his tintinnabuli compositions.
Based in Brooklyn, American Opera Projects (AOP) has been at the forefront of the contemporary opera movement for over thirty years.

BlackBox Ensemble presents Embodying Eastman: Speculative Listening with Isaac Jean-François

BlackBox Ensemble
Sat, May 3 1:00pm
The Space at Irondale
85 South Oxford St, Brooklyn, NY 11217
The Space at Irondale

Julius Eastman was an American composer, pianist, vocalist, performance artist, and conductor who contributed to new music scenes in New York, Buffalo, and Chicago, touring and recording as a performer and enjoying many performances of his own music. As a conductor, musician, and vocalist, he had a close artistic relationship with Arthur Russell and worked briefly with Meredith Monk and Pierre Boulez. He worked in a variety of musical styles, including classical, jazz, and crossover.
The BlackBox Ensemble is a collective of contemporary music performers based in New York City dedicated to exploring the wide-ranging world of the music of our time.
Isaac Jean-François’s research on Julius Eastman is featured in an issue of Current Musicology in an essay titled, “Julius Eastman: The Sonority of Blackness Otherwise.” His  research as a doctoral student at Yale includes black studies, phenomenology, psychoanalysis, and queer studies.

Mary Halvorson & Bill Frisell duo

Sat, May 3 1:30pm
Roulette Intermedium
503 Atlantic Avenue, Brooklyn, NY 11217
Roulette

Mary Halvorson (guitar) and Bill Frisell (guitar) perform a tribute to jazz guitar legend Johnny Smith.

Michael Gordon’s Amplified performed by Dither

Sat, May 3 2:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Michael Gordon’s music merges subtle rhythmic invention with incredible power embodying, in the words of The New Yorker‘s Alex Ross, “the fury of punk rock, the nervous brilliance of free jazz and the intransigence of classical modernism.”

Dither is a New York-based electric guitar quartet⁣ ⁣that presents “sophisticated, hard-driving & stylistically omnivorous music making.”—NYT⁣.

the Rhythm Method with Anaïs Maviel

Sat, May 3 2:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

Anaïs Maviel is a composer, artist, vocalist & multi-instrumentalist dedicated to translating spiritual concepts to sensory experiences, using sound as medicine & alchemy.
The four virtuosic and inventive composer-performers of The Rhythm Method strive to reimagine the string quartet in a contemporary, feminist context. Their continually expanding practice encompasses improvisation, vocalization, graphic notation, songwriting, and theater. Marina Kifferstein, violin / Leah Asher, violin / Carrie Frey, viola / Meaghan Burke, cello.

Caroline Davis and Wendy Eisenberg Duo

Sat, May 3 3:00pm
BRIC Stoop
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

“We wrote Accept When between 2022 and 2023, after a long, beautiful period improvising together intimately in the safety of a friend’s practice space. Our friendship, the quality of attention that colored the light of that and all our other practice spaces, became the basis for our activity and growth as songwriters and our relationship as improvisers. The deepening of our musical friendship, the affordance of space we give to the possibility of synchronicity, the reminders we write of the preciousness of our existence – all of this we put into these songs for you, to help us all accept these miracles and metaphors, in our lifeboats.”

Meara O’Reilly’s Hockets For Two Voices performed by Mingjia Chen + Linnea Sablosky

Sat, May 3 3:00pm
The Space at Irondale
85 South Oxford St, Brooklyn, NY 11217
The Space at Irondale

Meara O’Reilly is a composer and artist, focusing on perception and new musical interfaces. Her Hockets for Two Voices album was released on Cantaloupe in 2019. Sonic Youth’s Lee Ranaldo reviewed the album for Talkhouse, saying it “sends you, moves you, destroys you with beauty.”
Beijing-birthed, toronto/LA-dwelling musician—vocalist, composer, songwriter, improviser, multi-instrumentalist, teacher, curator—mingjia (MING-juh) performs in solo & collaborative projects across many genres and likes to roll around in grass even though she is allergic.
Linnea Sablosky is an emphatic musician with a passion for close harmony and intricate rhythms. Born and raised in the Bay Area, she studied Balkan singing and West African drumming from a young age and has since developed fluency in musics from Georgia, Eastern Europe, and Indonesia.

John Cage Sonatas and Interludes, performed by Adam Tendler

Sat, May 3 4:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

John Cage was an American avant-garde composer whose inventive compositions and unorthodox ideas profoundly influenced mid-20th-century music. Sonatas and Interludes is a cycle of twenty pieces for prepared piano composed in 1946–48, shortly after Cage’s introduction to Indian philosophy and the teachings of art historian Ananda K. Coomaraswamy, both of which became major influences on the composer’s later work. Significantly more complex than his other works for prepared piano, Sonatas and Interludes is generally recognized as one of Cage’s finest achievements.
A pioneer of DIY culture in classical music, pianist Adam Tendler has become one of today’s most recognized and celebrated performers in classical-contemporary music.

Nico Muhly The Street performed by Stef Van Vynckt

Sat, May 3 4:00pm
Roulette Intermedium
503 Atlantic Avenue, Brooklyn, NY 11217
Roulette

Nico Muhly is an American composer who writes orchestral music, works for the stage, chamber music and sacred music.

Stef Van Vynckt is a Belgian harpist whose artistry pushes the expressive boundaries of the harp, from delicate textures to bold, abrasive sounds and raw, punk-infused energy.

BarTog and Cecilia Lopez

Sat, May 3 4:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

BarTog and Cecilia Lopez are two of the most radical and unique voices coming from the Buenos Aires improvisation scene. The combination of Togander’s work with voice and turntable and Lopez’s idiosyncratic approach to analogue electronics, processing and instrument building gives the duo a distinct and visionary sound. Both improvisors have developed very different musical vocabularies that combine in a fluent dialogue oscillating between dark tones, hectic vocalizations, trashy beats and humorous hints that will very likely surprise the audience.
Cecilia Lopez: synthesizers / BarTog: turntables and voice

Kate Moore Rose of roses, flowers of flowers (World Premiere) plus selected works, performed by Ensemble Offspring

Sat, May 3 4:30pm
The Space at Irondale
85 South Oxford St, Brooklyn, NY 11217
The Space at Irondale

Kate Moore‘s Rose of roses, flower of flowers (world premiere) is inspired by the ‘cantigas de Santa Maria’ a collection of 13th century songs commissioned by Alfonso X, it is a modern day cantiga. Intoxicated by the aroma of the rose, the nightingale, pierced with a thorn, sings itself to death.

Program, performed by Ensemble Offspring:
Fern (quartet + backing track)
Blackbird Song (trio)
Synaesthesia Suite (violin solo + backing track)
Joyful Melodies (vibraphone solo)
Rose of roses, flower of flowers (violin, flute, clarinet, percussion + backing track)

Efraín Rozas

Sat, May 3 5:00pm
BRIC Stoop
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Efraín Rojas is a Peruvian interdisciplinary artist, researcher and robotics maker. His work was described as “An incredible physical presence” by The New York Times and as “A heady confluence of technology, culture and cognition” by The New Yorker.

Gérard Grisey Le Noir de l'Étoile, performed by Talujon

Sat, May 3 5:00pm
Church of St. Luke & St. Matthew
520 Clinton Ave, Brooklyn, NY 11238
Church of St. Luke & St. Matthew

New York’s Talujon performs Gérard Grisey’s experiential masterwork , Le Noir de l’Étoile, for six percussion stations that surround the audience.
Described by The New York Times as possessing an “edgy, unflagging energy”, Talujon is composed of percussionists Ian Antonio, Caitlin Cawley, David Cossin, Matthew Gold, Tom Kolor, Michael Lipsey, and Matt Ward.

World Premiere Screening: David Handler’s Life Like Violence

Sat, May 3 5:30pm
L10 Arts and Cultural Center
300 Ashland Pl, Brooklyn, NY 11217
L10 Arts and Cultural Center

Composer, violinist and NYC impresario David Handler presents the world premiere screening of five music videos created for his upcoming debut album Life Like Violence, out May 16th on Cantaloupe Music. Handler composes acoustic and electronic music that has been described by the New York Times as “eerie and superbly wrought…exploring polarities of light and dark, the sacred and the profane.”
Screening followed by Q&A moderated by a special guest to be announced.

*this is a limited seats event, RSVP link coming soon*

Idris Ackamoor and the Pyramids

Sat, May 3 6:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

The Pyramids was founded over fifty years ago in 1972 by saxophonist and composer Idris Ackamoor, Margaux Simmons and Kimathi Asante. The band’s recent work explores the future, the past and the urgent reality of the present.

Idris Ackamoor: Alto and Tenor Saxophone, piano, vocals / Margaux Simmons: Flutes and vocals / Sandi Poindexter: Violins and vocals / Bobby Cobb: Guitar and vocals /  Mark Williams: Bass / Randall Merritt: Drums / Shakoor Hakeem: Congas and percussions

Ringdown (Caroline Shaw and Danni Lee Parpan)

Sat, May 3 6:00pm
Roulette Intermedium
503 Atlantic Avenue, Brooklyn, NY 11217
Roulette

Ringdown’s music is like calling your first love on a rotary telephone, percussively tearing out the hammers from a 1924 vintage upright, and flinging each of them into space while you wait for every heartache you’ve ever felt to quietly return. Collaborators Caroline Shaw and Danni Lee Parpan describe Ringdown as an electronic cinematic pop duo based in Portland, OR and New York, NY. Others have described Ringdown as the love child of Johannes Brahms and Brandi Carlile—if they were born in the same century and if Brahms was a queer woman. You decide.

Fred Frith

Sat, May 3 6:30pm
The Space at Irondale
85 South Oxford St, Brooklyn, NY 11217
The Space at Irondale

Fred Frith (solo guitar) is a pioneer of the extended electric guitar. He learned to compose in Henry Cow, developed his song-writing skills in Art Bears, explored his multi-instrumentalism in Skeleton Crew, rocked the house with Massacre and is still doing all of those things, having been in one band or another continuously since 1964. Fred composes extensively for film and dance, and his work is also performed by contemporary and baroque ensembles, string quartets, chamber orchestras, and a whole range of groups and artists in the ever-expanding field of semi-popular music.

STRING NOISE plays Christian Wolff’s solo and duo violin pieces

Sat, May 3 6:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

Christian Wolff was born in Nice, France, to the German literary publishers Helen and Kurt Wolff, who had published works by Franz Kafka, Robert Musil, and Walter Benjamin. After relocating to the U.S. in 1941, they helped to found Pantheon Books with other European intellectuals who had fled Europe during the rise of fascism. The Wolffs published a series of notable English translations of European literature, mostly, as well as an edition of the I Ching that came to greatly impress John Cage after Wolff had given him a copy.

STRING NOISE, New York’s most daring violin duo, is composed of violinists Conrad Harris and Pauline Kim Harris and is recognized for their distinct blend of disparate genres, from arrangements of songs by punk legends to conceptual minimalist treatises by Alvin Lucier.

 

 

broom

Sat, May 3 7:00pm
Betty Carter Park
38 Lafayette Ave, Brooklyn, NY 11217
Betty Carter Park

broom is a brooklyn based community-funded experimental cleaning service including Kyle Hodgkin, Daniel Vila, Seb Mahal.

Underground System

Sat, May 3 7:00pm
BRIC Stoop
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Underground System is a shape-shifting force in New York City’s dance music scene, fusing afrobeat, punk, and disco into a sound that’s as unpredictable as it is infectious.

Body / Head, Foodman, and emptyset

Sat, May 3 7:30pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

Body/Head are an American experimental electric guitar duo composed of Kim Gordon and Bill Nace.
Takahide Higuchi a.k.a Foodman, creates music that defies categorisations – and is one of the few artists that actually fit this overused description with traces of almost every electronic music genre, from juke, footwork, ambient, house, techno, to noise,  dissected and morphed together then driven to extreme without giving you a second to come up with a definitive genre.
emptyset is a London/Berlin based production project formed in 2005 by James Ginzburg and Paul Purgas, examining the material properties of sound and its correspondence with architecture, performance and physical modes of production.

Max Richter with the American Contemporary Music Ensemble performing The Blue Notebooks and In A Landscape

Sat, May 3 8:00pm
BAM Opera House
30 Lafayette Avenue, Brooklyn, NY 11217
BAM Opera House

Max Richter is one of the most influential composers of his generation. His fusion of classical technique and electronic technology, heard across genre-defining solo albums and countless scores for film, dance, art and fashion, has won him legions of fans around the world and blazed a trail for a generation of musicians. The American Contemporary Music Ensemble (ACME) has risen to the highest ranks of American new music through a mix of meticulous musicianship, artistic vision, engaging collaborations, and unwavering standards in every regard.

This performance is only available with a MAX PASS. [sold out]

Tomeka Reid Quartet

Sat, May 3 8:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Described as a “New Jazz Power Source” by the New York Times, cellist and composer Tomeka Reid has emerged as one of the most original, versatile, and curious musicians in Chicago’s bustling jazz and improvised music community over the last decade. Her distinctive melodic sensibility, always rooted in a strong sense of groove, has been featured in many distinguished ensembles over the years. Tomeka Reid, cello / Mary Halvorson, electric guitar / Jason Roebke, bass / Tomas Fujiwara, drums.

Carl Stone / Akaihirume

Sat, May 3 8:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

Carl Stone is one of the pioneers of live computer music, and has used computers in live performance since 1986. He has been hailed by the Village Voice as “the king of sampling.” and “one of the best composers living in (the USA) today.”
Akaihirume is a Japanese singer whose ear is always tuned to the world’s sounds, which she keeps as material in her shell. As both her own compositions and improvisations using her wide range of vocalizations, she has worked on her solo performances and collaborations with artists of various styles.

Moritz von Oswald Presents: Silencio

Sat, May 3 8:30pm
Roulette Intermedium
503 Atlantic Avenue, Brooklyn, NY 11217
Roulette

Moritz von Oswald is revered as a pioneering architect of electronic music, whose foundational work with Basic Channel and Rhythm & Sound has indelibly shaped the contours of the wide-reaching genre. In recent years, von Oswald has ventured into avant-garde territories, exploring the intersection of electronic soundscapes and improvisational music with projects like the Moritz von Oswald Trio or his Silencio project.

andPlay/Catherine Lamb

Sat, May 3 9:00pm
The Space at Irondale
85 South Oxford St, Brooklyn, NY 11217
The Space at Irondale

andPlay is committed to expanding the existing violin/viola duo repertoire by commissioning new works and collaborating closely with living artists. The New York City-based duo of Maya Bennardo, violin, and Hannah Levinson, viola, first played to an eager crowd on Fire Island in the summer of 2012 and has since commissioned over forty-five works and performed all over the USA and Europe.
Guest artists: Thea Mesirow: cello / Tristan Kasten-Krause: double bass / Corie Rose Soumah: rainbow synth / Karl Larson: rainbow synth.

Fausto Romitelli Professor Bad Trip, performed by Talea Ensemble

Sat, May 3 9:00pm
Church of St. Luke & St. Matthew
520 Clinton Ave, Brooklyn, NY 11238
Church of St. Luke & St. Matthew

New York’s ultra-adventurous Talea Ensemble performs Fausto Romitelli’s dense and psychedelic Manifesto, guided by the star of Henri Michaux and inspired by the poet’s descriptions of the effects of mescaline.

Buke and Gase

Sat, May 3 10:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Buke and Gase is the experimental project of Aron Sanchez and Arone Dyer. Soon after releasing their debut EP in 2008, the duo became an “indie rock” obsession shared by The National & beloved cult podcast Radiolab. Since then they’ve released four albums and three more EPs; taped one of the earliest episodes of NPR Music’s Tiny Desk Concert series; toured on four continents; and served as hand-picked collaborators or support acts for a who’s who of music icons: Laurie Anderson & Lou Reed, Shellac, Battles, Swans, Deerhoof, Owen Pallett, So Percussion and Mike Patton’s metal supergroup Tomahawk.

Dave King Trucking Company

Sat, May 3 10:30pm
Roulette Intermedium
503 Atlantic Avenue, Brooklyn, NY 11217
Roulette

Prolific drummer/composer Dave King is well known for his propulsive work in a number of different bands. From The Bad Plus to Happy Apple to Halloween, Alaska, each group has its own sound and approach, but all are approached in a steadfast manner. These groups are all serious units of focused players who are completely dialed in, honing a solid band sound and identity. It is King’s attraction to a strong group concept that led to his creation of his Trucking Company band and his increasing focus thereon. The band includes Brooklyn based bassist Chris Morrissey, the saxophone (and clarinet!) of Brooklynite Chris Speed, saxophonist Brandon Wozniak and guitarist Erik Fratzke.

Salamanda

Sat, May 3 11:00pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

Salamanda is a Seoul-based Leftfield Ambient music producer/DJ duo of Uman Therma (Sala) and Yetsuby (Manda).The electronic duo who believes every sound has its own beauty, loves to create imagined worlds with their colorful, dreamy and organic palette of sounds.

David Lang Darker, performed by Ensemble Signal, with film by Bill Morrison

Sun, May 4 12:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

David Lang writes: There is a big gulf between the way that classical music teaches us to experience emotions and the way that our emotions are actually felt. We have a great tradition in Western music of embracing great swings of temperament and mood – we have no problem thinking that a piece can move seamlessly from something that is whisper-soft to ear-splittingly loud. When I think of how my life actually works, however, I don’t think of it in terms of giant emotional leaps from one extreme to another – most of my emotional range is not from extreme bliss to gut-wrenching misery and back, all in a short period of time; my range is much more narrow, and too slowly changing for that. In my piece darker I wanted to make a piece of music that more closely matches my own emotional narrative than the narrative we have inherited from the dramatic music of the past.

Splinter Reeds plays Paula Matthusen

Sun, May 4 12:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

Paula Matthusen is a composer who writes both electroacoustic and acoustic music and realizes sound installations. Recent areas of creative inquiry include extensive field recording, which has led to compositions and sound projects in aqueducts, caves, and sites of historic infrastructure.

Splinter Reeds is a paradigm-shifting reed quintet, celebrated for their virtuosic performances and adventurous programming.
Bill Kalinkos: clarinet / Kyle Bruckmann: oboe / Nicki Roman: saxophone / Jeff Anderle: bass clarinet / Dana Jessen, bassoon

Nicole Mitchell/Luke Stewart/Tcheser Holmes

Sun, May 4 1:00pm
BRIC Stoop
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

The convergence of flutist Nicole Mitchell, bassist Luke Stewart and drummer Tcheser Holmes occurred during a performance at Merkin Hall in 2019, where Mitchell joined Irreversible Entanglements for a collaborative set. This performance motivated the three musicians to reunite in 2022 at The Stone and record an album of ever-evolving rhythms with Mitchell’s flute adding both fluidity and kineticism to the ensemble’s sound. Their collaboration exemplifies a shared commitment to transformative, make-you-want-to-dance experiences.

 

Francis Harris (DJ) - 2pm set

Sun, May 4 2:00pm
Public Records - Atrium
233 Butler Street, Brooklyn, NY 11217
Public Records

With twenty years of DJing at the world’s top clubs and almost a hundred releases under different monikers to his credit, one might think that Francis Harris had reached the pinnacle of his career, or at least firmly established his niche; but 2012 marked a pivotal year for the Brooklyn-based producer in which his true potential as a composer, producer and label executive was revealed.

Highsmith+ w/ Tomeka Reid

Sun, May 4 2:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Highsmith + is Ikue Mori (electronics), Craig Taborn (piano) joined by Tomeka Reid (cello).

Sara Serpa, Marta Sanchez, Greg Ward, and Qasim Naqvi - Recognition

Sun, May 4 2:00pm
BAMcafé - The Adam Space
30 Lafayette Avenue, Brooklyn, NY 11217
BAMcafé

Recognition – Reinventing Memory Through Sound
In this special concert adaptation of Recognition – a documentary exploring Portugal’s colonial past through archival footage, music, and revolutionary texts – Portuguese vocalist-composer Sara Serpa leads a new ensemble in a reinvention of the film’s musical material, expanding its sonic and emotional depth. Joined by Greg Ward (alto saxophone), Marta Sánchez (piano), and Qasim Naqvi (modular synth), Serpa reshapes the original score into a dynamic and immersive live experience, where composition and improvisation merge to evoke memory, displacement, and resistance. The interplay between Serpa’s ethereal vocal textures, Ward’s expressive saxophone lines, Sánchez’s fluid harmonies, and Naqvi’s electronic pulses reimagines the film’s themes through sound, embodying both the fragmentation and reconstruction of history.

Tashi Wada with Julia Holter

Sun, May 4 2:00pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

Los Angeles-based musician Tashi Wada works within a heady, intergenerational slipstream bridging storied East and West Coast art music institutions, and the DIY experimental scenes that emerged in the 2000s and 2010s. Between recording and performing with his creative and life partner, Julia Holter, and running his record label Saltern, Wada has carved a unique path as a forward-thinking composer alongside a tight network of collaborators, drawing on diverse influences and exchanges. Wada’s music strips away preconceptions of the scope of his music, presenting complex, pop-informed compositions that bristle with joy. For this performance he will be joined by Julia Holter!

Sophia Jani Six Pieces for Solo Violin, performed by Maiani da Silva

Sun, May 4 2:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

Sophia Jani is a composer of contemporary classical music from Germany whose works are characterized by their calmness and poise, bending the boundaries of the instrument while maintaining the illusion of simplicity.
Violinist Maiani da Silva is a sought-after soloist, chamber musician, educator, and collaborator in contemporary music and beyond.

Cousin

Sun, May 4 3:00pm
Public Records - Atrium
233 Butler Street, Brooklyn, NY 11217
Public Records

Diving from starlit heights to ocean depths, Cousin’s echoes step through tempos and styles while summoning surreal sonic landscapes centered in spacious atmospherics, subterranean bass pressure and rhythmic hypnotisms. Hailing from Australia, Cousin channels the local flora, infusing his work with their variegated vibrancy. Whether DJing a teeming warehouse party or conjuring up a mesmerizing live set, Cousin’s versatility as an artist and fluency in navigating across different energy levels comes from a place of unrestrained imagination and otherworldly inspiration.

Ensemble Offspring plays Iannis Xenakis

Sun, May 4 3:00pm
BRIC Stoop
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Iannis Xenakis was a composer, architect, and mathematician widely known for his ground-breaking percussion music and pioneering use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances.
Program, performed by Ensemble Offspring:
Iannis Xenakis – mikka/mikka S
Iannis Xenakis – Charisma
Iannis Xenakis – Rebonds b/a
Claude Vivier – Piece for violin and clarinet
Felicity Wilcox – People of this Place
Brenda Gifford – Mungala 

 

 

Nour Harkati

Sun, May 4 3:30pm
BAMcafé - The Adam Space
30 Lafayette Avenue, Brooklyn, NY 11217
BAMcafé

Nour Harkati is a renowned Tunisian musician and singer-songwriter known for his innovative blend of traditional North African music and contemporary influences. Mastering the ancient Guembri and infusing his work with modern rhythms, Harkati crafts a unique sound that resonates deeply with diverse audiences. His lyrics combine philosophical depth with a jubilant spirit, making his music both introspective and uplifting.

Nour Harkati: guembri, vocals / Leo Yucht: drums / Josh Uguccioni: bass / Khalil Lajmi: bendir, FX / Youssef Khiari: guitar / Mehdi Lalaoui: kerkaba

Francis Harris (DJ) - 4pm set

Sun, May 4 4:00pm
Public Records - Atrium
233 Butler Street, Brooklyn, NY 11217
Public Records

With twenty years of DJing at the world’s top clubs and almost a hundred releases under different monikers to his credit, one might think that Francis Harris had reached the pinnacle of his career, or at least firmly established his niche; but 2012 marked a pivotal year for the Brooklyn-based producer in which his true potential as a composer, producer and label executive was revealed.

Julia Wolfe Cruel Sister, performed by Ensemble Signal

Sun, May 4 4:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Julia Wolfe writes: Cruel Sister is a stirring and fantastic Old English ballad. The tale is of two sisters— one bright as the sun, and the other cold and dark. One day, so that she can have the love of a young man who has come courting, the dark sister pushes the bright sister into the sea. Two minstrels find the dead sister washed up on the shore and shape her breastbone into a fine harp strung with her yellow hair. They come to play at the cold dark sister’s wedding. As the sound of the harp reaches the bride’s ears, the ballad concludes “and surely now her tears will flow.” While my piece references no words and quotes no music from the original tune, it does follow the dramatic arc of the ballad— the music reflecting an argument that builds, a body floating on the sea, the mad harp.

Tujiko Noriko

Sun, May 4 4:00pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

Tujiko Noriko is a musician, singer, songwriter and filmmaker based in France who has released over twenty critically acclaimed albums. She has performed worldwide, and has also written music for films, dance performances, animations and art installations.

This performance is sponsored by AvanTokyo and the Japan Foundation.

JJJJJerome Ellis and S T A R R

Sun, May 4 4:30pm
Issue Project Room
22 Boerum Pl, Brooklyn, NY 11201
Issue Project Room

JJJJJerome Ellis is a stuttering, Afro-Caribbean composer, poet, and performer. His works are invitations to healing, transcendence, communion, and deep listening. Through an interdisciplinary practice that focuses on oral storytelling, improvisation, and the interrelations between speech, silence, disability, and religion, he’s collaborated with choreographers, rappers, playwrights, booksellers, typographers, podcasters, toddlers, and filmmakers.

S T A R R busby is a Black experimental artist who sings, acts, composes, educates, and is committed to the liberation of all people.

the Narcotix

Sun, May 4 5:00pm
BAMcafé - The Adam Space
30 Lafayette Avenue, Brooklyn, NY 11217
BAMcafé

Esther Quansah (guitars, vocals) and Becky Foinchas (keys, vocals) met in an elementary school chorus class in the ghostly woodlands of Woodbridge, Virginia. The daughters of African immigrants (Quansah from Cote D’Ivoire and Foinchas from Cameroon), they soaked up influences as far-flung and varied as choral symphonies, African wedding music, and math rock, distilling them through a unique lens. They have a knack for subverting expectations through sound, investigating themes of meditation, esotericism, and surrealism in daily life to address existential questions about the innermost self.

Niecy Blues

Sun, May 4 5:00pm
Public Records - Atrium
233 Butler Street, Brooklyn, NY 11217
Public Records

South Carolina singer and producer Niecy Blues describes her songwriting process like an undertow: “I feel a strange pull, and let it carry me, following swirling leaves… whole days roll by, forgetting about the body.” Her music captures this sense of deep-rooted divination, cycling between simmering ballads, ghosted R&B, downtempo gospel, and looped vocal improvisations. Niecy Blues transposes reverie and reckoning into emotive devotionals of keys, guitar, bass, synth, and bewitched voice, steeped in sacred atmospheres gleaned from a youth spent in a religious Oklahoma household: “My first experience with ambient music was church – slow songs of worship, with delay on the guitar… even if you don’t believe, you feel something.”

 

Tomas Fujiwara, Tomeka Reid, Immanuel Wilkins

Sun, May 4 5:00pm
BRIC Stoop
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Drummer and composer Tomas Fujiwara convenes a first time trio with cellist Tomeka Reid and saxophonist Immanuel Wilkins.

Ben LaMar Gay Quartet

Sun, May 4 6:00pm
Public Records - Sound Room
233 Butler Street, Brooklyn, NY 11217
Public Records

Ben LaMar Gay is a composer, multi-instrumentalist, singer, poet, and patently eclectic polymath who Afropunk has called “strikingly original,” Pitchfork has called “uncategorizable,” and Jeff Parker has called “hands down, one of my favorite musicians on the planet today.” He channels a radical array of sound, color, and space through the universal language of folklore; but despite the widely attributed genius of his work, his artistic approach and general demeanor are characterized by an endearing humbleness and warm humanity.

broom

Sun, May 4 6:00pm
Fort Greene Park
Dekalb Avenue &, S Portland Ave, Brooklyn, NY 11205
Fort Greene Park

broom is a brooklyn based community-funded experimental cleaning service including Kyle Hodgkin, Daniel Vila, Seb Mahal.

Christopher Cerrone Beaufort Scales performed By Lorelei Ensemble

Sun, May 4 6:00pm
BRIC Ballroom
647 Fulton Street Brooklyn, NY 11217
BRIC Arts Media

Beaufort Scales is composer Christopher Cerrone’s dramatic and alluring music for women’s voices and electronics, performed by the acclaimed Lorelei Ensemble and the composer. Its title and primary text come from a 19th-century measure of wind speeds.

Heralded for its “full-bodied and radiant sound” (The New York Times), the Lorelei Ensemble is recognized for bold and inventive programs that champion the extraordinary flexibility and virtuosity of the human voice.

Moritz Von Oswald (DJ set)

Sun, May 4 6:00pm
Public Records - Atrium
233 Butler Street, Brooklyn, NY 11217
Public Records

Moritz von Oswald is revered as a pioneering architect of electronic music, whose foundational work with Basic Channel and Rhythm & Sound has indelibly shaped the contours of the wide-reaching genre. In recent years, von Oswald has ventured into avant-garde territories, exploring the intersection of electronic soundscapes and improvisational music with projects like the Moritz von Oswald Trio or his Silencio project.

Terry Riley 90th Birthday Tribute with Bang on a Can All-Stars, Gyan Riley, Krishna Bhatt, Valentina Magaletti, Nicole Mitchell, Suphala, and more!

Sun, May 4 8:00pm
Pioneer Works
159 Pioneer Street, Brooklyn, NY 11231
Pioneer Works

Long Play presents a 90th birthday spotlight-celebration of Terry Riley with the Bang on a Can All-Stars premiering a new version of Riley’s iconic and inspirational A Rainbow in Curved Air, arranged by Gyan Riley, plus Riley’s minimalist classic In C performed by an All-Star cast of special guests.

Bang on a Can All-Stars:
Vicky Chow – keyboard synth / David Cossin – percussion / Arlen Hlusko – cello / Taylor Levine – electric guitar / Chris Lightcap – upright bass /Ken Thomson – clarinet and bass clarinet

With special guests:
Krishna Bhatt – sitar / Michael Harrison – keyboard / Nicole Mitchell – flute / Gyan Riley – electric guitar / Suphala – tabla / Clara Warnaar – percussion

Lowrey Berkshire organ generously donated by the MUSEUM of MUSIC TECHNOLOGY, powered by EMEAPP (Electronic Music Education and Preservation Project). emeapp.org 

Artists

Adam Tendler

American Contemporary Music Ensemble

American Opera Projects

andPlay/Catherine Lamb

Anthony Braxton

Arvo Pärt

Bang on a Can All-Stars

BarTog and Cecilia Lopez

Ben LaMar Gay Quartet

Bill Morrison

BlackBox Ensemble

Body / Head

broom

Buke and Gase

Carl Stone / Akaihirume 

Caroline Davis and Wendy Eisenberg duo

Catherine Lamb

Christopher Cerrone

Christian Wolff

Clara Warnaar

Cousin

Dave King Trucking Company

David Handler

David Lang

Dither

Efrain Rozas

emptyset

Ensemble Offspring

Ensemble Signal

Foodman

Francis Harris (DJ)

Fred Frith

Gyan Riley

Henry Threadgill

Iannis Xenakis

Idris Ackamoor and the Pyramids

Isaac Jean-François

I.U.D.

JJJJJerome Ellis

John Cage

Julia Wolfe

Julius Eastman

Kassie Krut

Kate Moore

Kim Gordon

Krishna Bhatt

Loidis

Lorelei Ensemble

Maiani da Silva

Max Richter

Meara O’Reilly

Michael Gordon

Michael Harrison

Mingjia Chen + Linnea Sablosky

Moritz von Oswald

the Narcotix

Nico Muhly

Nicole Mitchell

Nicole Mitchell/Luke Stewart/Tcheser Holmes Trio

Niecy Blues

Nour Harkati

Paula Matthusen

Peter Evans’ Being & Becoming

The Rhythm Method with Anaïs Maviel

Ringdown (Caroline Shaw and Danni Lee Parpan)

S T A R R

Salamanda

Sara Serpa, Marta Sanchez, Greg Ward, and Qasim Naqvi

Sophia Jani

Splinter Reeds

Stef Van Vynckt

STRING NOISE

Suphala

Talea Ensemble

Talujon

Tashi Wada

Terry Riley

Tim Hecker

Tomeka Reid Quartet

Tujiko Noriko

Underground System

Valentina Magaletti

Tickets

FESTIVAL TICKETS

3-Day Pass: $235  |  SUPPORTER Pass: $350  |  Single day pass: $95
(plus fees)

Single ticket for Henry Threadgill/Peter Evans at Roulette: $50

A 3-Day Festival Pass includes Terry Riley 90th Birthday Tribute with Bang on a Can All-Stars, Gyan Riley, Krishna Bhatt, Valentina Magaletti, Nicole Mitchell, Suphala, and 50+ concerts during the Long Play weekend.

A Long Play SUPPORTER PASS includes all of that PLUS

  • Reserved seating for Terry Riley 90th Birthday Tribute  Featuring Bang on a Can All-Stars, and special guests!
  • A ticket to Tim Hecker’s exclusive pre-festival show on Thursday night, (5/1) at Public Records
  • Priority entry for shows at capacity
  • VIP reception, date/time TBA
  • Discount code for Bang on a Can store merchandise

Supporter Passes also FULLY subsidize the purchase of one LONG PLAY 2025 day-pass for persons unable to pay for the cost of a full priced ticket.

Single-day passes for Saturday and Sunday are also  available.

MAX passes are SOLD OUT.

It’s important to us that cost is not an ultimate barrier to new musical experiences. If you feel you are in need of a discount, or if you are a student, please drop us a line at: [email protected].

About

Bang on a Can presents the 4th year of Long Play, a three-day destination music festival, presented from Friday, May 2 through Sunday, May 4, 2025. Featuring 50+ concerts, Long Play also showcases a dense network of inventive music venues in Brooklyn – with performances at BAM (Brooklyn Academy of Music)RoulettePioneer WorksPublic RecordsBRICThe Space at Irondale, the Church of St Luke and St MatthewISSUE Project Room, and Fort Greene Park!

The festival  includes a 90th birthday spotlight-celebration of Terry Riley with  the Bang on a Can All-Stars premiering a new version of Riley’s iconic and inspirational A Rainbow in Curved Air, arranged by Gyan Riley, plus Riley’s minimalist classic In C performed by an All-Star cast including special guests Krishna Bhatt, Valentina Magaletti, Nicole Mitchell, Suphala, and more.

Some featured concerts in the 2025 lineup include the world premiere of Henry Threadgill’s Listen Ship; Tim Hecker; Kim Gordon, Anthony Braxton’s Composition No. 19 (For 100 Tubas)Moritz Von Oswald (2 concerts!)Ensemble Signal playing David Lang and Julia Wolfe; Tomeka Reid Quartet; Nico Muhly’s The Street; Valentina Magaletti; Caroline Shaw and Danni Lee Parpan aka Ringdown; Mary Halvorson + Bill Frisell duo; Australia’s Ensemble Offspring playing a world premiere by composer Kate Moore; and much more. 

Tickets are on sale now

Of Long Play 2025, Bang on a Can co-founders, David Lang, Julia Wolfe, and Michael Gordon say:

All we need is music, sweet music
There’ll be music everywhere

That is not just a quote from Martha and the Vandellas – it’s the truth!

There will be music everywhere,
and we will be dancing in the street
at LONG PLAY 2025. 

COME JOIN US FOR OVER 50 CONCERTS in 10 VENUES,
ACROSS 3 DAYS,
MAY 2 to 4, in BROOKLYN.

Now more than ever, we need music that can reach out to us, bring us all together. Audacious courageous music that brings light into the world.

Callin’ out around the world
Are you ready for a brand new beat?

Come join us for this spectacular gathering of musical creators
in Brooklyn
this spring
at LONG PLAY 2025.

See you there.

p.s. lyrics by Songwriters: Ivy Hunter / Marvin Gaye / William Stevenson
Dancing In The Street lyrics © Stone Agate Music, Nmg Music, Mgiii Music, Fcg Music, Jobete Music Co Inc, Concord Road

Fueled by more than three decades of Bang on a Can projects, including Marathon concerts, LOUD Weekend at MASS MoCA, countless world tours and staged productions, Long Play is a Supercharged Musical Ride through Right Now – for musicians and audiences alike.

Supporters

LONG PLAY is particularly grateful for the generous lead support from the Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Amphion Foundation, AvanToyko, Bruce and Terry Malmer, Fan Fox and Leslie R. Samuels Foundation, Gladys Krieble Delmas Foundation, Herb Leventer, Howard Gilman Foundation, Jane Stewart, Japan Foundation, Kettering Family Foundation, Stanley Greenberg, and ASCAP. This program is also supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

 

               

           

 

Additional support provided by Qobuz

Lowrey Berkshire organ generously donated by the MUSEUM of MUSIC TECHNOLOGY, powered by EMEAPP (Electronic Music Education and Preservation Project).

For information on sponsorship opportunities for the 2025 Long Play Festival, please contact Bang on a Can’s Executive Director, Kenny Savelson, [email protected]. Sponsors support artist fees, production costs, and promotions for over fifty concerts at eight venues throughout Brooklyn. Bang on a Can is a 501-C3 charitable organization, all donations are tax deductible.  All sponsors will be properly credited for their support.

Donate to Long Play

Bang on a Can’s programs are made possible with generous lead support from: Aaron Copland Fund for Music, Alice M. Ditson Fund of Columbia University, Alan Baker and Serena Lourie, Amphion Foundation, Art Music Denmark, ASCAP and ASCAP Foundation, Atlantic Records, Daniel Baldini, Jeffrey Bishop, William Bragin,  The Cheswatyr Foundation, Paula Cooper, City of New York Department of Cultural Affairs, Liz Diller, Valerie Dillon and Daniel Lewis, Peter Faber, Fan Fox and Leslie R. Samuels Foundation, Francis Goelet Charitable Trust, Carol Golden, Gladys Krieble Delmas Foundation, Howard Gilman Foundation, Jaffe Family Foundation, Jane Lombard, Japan Foundation, Joe Holt Charitable Trust, The Kettering Family Foundation, Alan Kifferstein & Joan Finkelstein, Richard Kuczknowski, Michael Kushner, Dave Lake, Leslie Lassiter, Herb Leventer, George Lewis, Raulee Marcus, MASS MoCA, Mid Atlantic Arts Foundation, Jeremy Mindich & Amy Smith, Elizabeth Murrell & Gary Haney, National Endowment for the Arts, New Music USA, New York State Council on the Arts, Charles Read, Robert Black Foundation, Joe Serling, Justus & Elizabeth Schlichting, Matthew Sirovich & Meredith Elson, Maria & Robert A. Skirnick, Jane Stewart, Qobuz, Sandra Tait and Hal Foster, David Tochen & Mary Beth Schiffman, Williamson Foundation for Music, and Wolfensohn Family Foundation.

Long Play logo by Denise Burt; creative direction by Greg Simpson at Ephemera Design; website by Square Candy.

More info about Bang on a Can

Info and FAQ

Where will I pick up my festival pass?

3-day pass

For Friday night performances, your name will be on a list at the door of the venues (Pioneer Works, Roulette, Public Records). So please head straight to your show of choice on Friday night and give them your name to enter. There is no central festival hub on Friday. [Not all Friday night venues have the capacity to distribute our 3-day festival wristbands, so if you are not issued a wristband on Friday night, simply enjoy shows Friday night via the door list, and then pick up your wristband from our festival hub at BRIC on Saturday. see below.]

Saturday and Sunday passes

Wristband distribution Saturday and Sunday will be at our festival hub in the BRIC lobby, so please stop by there before heading to the performances.* The festival hub at BRIC will be operating at the following times:

Saturday
11:30am – 10:30pm

Sunday
11:00am – 7:00pm

BRIC Arts Media
647 Fulton Street Brooklyn, NY 11217
(entrance is on Rockwell Place)

*you do not need a wristband to attend the Saturday 12:00pm FREE performance at Ft Greene park (Anthony Braxton). So you can get your wristband either before or after that show.

The 3-day and Saturday pass includes all of the festival performances EXCEPT the Saturday 8pm Max Richter performance at the BAM Opera House. That performance requires a separate ticket (MAX Pass) and is sold out.

Where will I pick up my Supporter Pass?

There are a few options for Supporter pass pick up, depending on what event you are attending first. Supporter pass holders will be receiving email correspondence from Theodora Bocanegra Lang with all of the pick up info. And/or please email [email protected] with any questions.

What does a SUPPORTER Pass Include?

  • Reserved seating for Terry Riley at 90!  Featuring Bang on a Can All-Stars, and special guests!
  • A ticket to Tim Hecker’s exclusive pre-festival show on Thursday night, (5/1) at Public Records
  • Priority entry for shows at capacity
  • Special reception with our founders, date/time TBA
  • Discount code for Bang on a Can store merchandise

Supporter Passes also fully subsidize the purchase of one Long Play 2025 day-pass for persons unable to pay for the cost of a full priced ticket.

What does a MAX Pass Include?

A Long Play MAX PASS is a very limited supply ticket tier that includes all the benefits of the Supporter Pass (above) PLUS:

  • A ticket to the already sold-out Max Richter Blue Notebooks concert at BAM on Saturday, May 3.

Max Passes also fully subsidize the purchase of one Long Play 2025 day-pass for persons unable to pay for the cost of a full priced ticket.

NOTE – MAX Passes are now SOLD OUT

How do I get a 1-day pass?

Passes for Saturday and Sunday are available via our Eventbrite page!

Can I reserve a seat at any shows? What happens if a show gets full?

Long Play shows are all first come, first served, so we recommend that you arrive early! If a show reaches capacity, audience will form a line, followed by “one out, one in.”

I just want to see one show – Are any single tickets available?

Most shows are only accessible with a festival pass (3 day or single day). However, some venues will be selling single tickets:

  • All performances at Public Records have single tickets for sale, pending availability, via the Public Records website
  • The Kim Gordon performance on Friday May 2 has single tickets for sale on the Pioneer Works website
  • A limited number of single tickets for the Henry Threadgill / Peter Evans performance are for sale on the Bang on a Can online store.

The shows at Ft Greene Park, BRIC Stoop and the BAMCafe will be FREE so you can certainly drop in on those shows!

Are these concerts seated, or standing room only?

It depends on the venue or show – some are fully seated and others are standing room only. However, we will make every effort to provide a seat for anyone needing one at any Long Play performance.

The Max Pass will include an assigned seat in the BAM opera house for the Max Richter performance.

Where exactly is this taking place? Is there a MAP?

Long Play takes place at multiple venues around Downtown Brooklyn, including  BAM (Brooklyn Academy of Music), Roulette, Pioneer Works, Public Records, BRIC, The Space at Irondale, the Church of St Luke and St Matthew, ISSUE Project Room, South Oxford Space, and Fort Greene Park.

Maps will be available online prior to the festival and hard copies will be available at all venues.

Are there any age restrictions? Can I bring my kids?

Your kids are weird, and also amazing! But generally, yes. Most shows welcome all ages. Some Long Play venues are clubs that are 21+, but will allow you to bring in a minor if accompanied by an adult.

I love music, but this festival is too expensive for me. Any discounts?

As a mission based institution, it’s important to us that no person be unable to attend due to cost. If you feel you are in need of a subsidized ticket, please drop us a line at [email protected]. Subsidized tickets are made possible thanks to our Supporter Pass buyers. Thank you!

Also, the festival features FREE shows at the BRIC Stoop and the BAMCafe, that are available for EVERYONE! More free shows to be announced.

Can I volunteer for the festival?

Yes, we have limited volunteer positions available, and we are always grateful for some extra hands! If you are interested in getting involved, please write us at: [email protected]. Please include whether you a) live in NYC and are available to help in the weeks preceding the festival, or b) are just in town to help for the festival weekend.

More questions?

Write to us at [email protected].