Faculty

Gregg August (Bass)

Gregg August lives in New York and is actively involved in the classical as well as latin and jazz scenes. He performs with the Orchestra of St. Luke's and Orpheus Chamber Orchestra, and is the assistant principal bass of The Brooklyn Philharmonic. He has performed chamber music with The Brentano Quartet, the Lincoln Center Chamber Music Society, and for 2 years was the principal bassist of La Orquesta Ciutat de Barcelona in Spain. At the same time he has played and recorded with Ray Barretto, Paquito D'Rivera, James Moody and Kenny Burrell. At present heps the bassist with Ray Vega and his Latin Jazz Sextet. Gregg will be releasing a record of original music in the spring of 2004 featuring Ray Barretto and Frank Wess. He received his Bachelor and Masterps degrees from The Eastman School of Music and The Juilliard School respectively.

Ashley Bathgate (Cello)

American cellist Ashley Bathgate was born in 1985 in Saratoga Springs, N.Y. and began cello studies at age 12. As a recitalist and chamber musician, she has appeared at the Saratoga Chamber Music Festival, Barge Music, Le Poisson Rouge, Merkin Hall, and Carnegie's Zankel Hall, to name a few. She made her official New York Debut in Carnegie's Weill Hall with noted pianist Todd Crow in 2008. Ashley has also been a featured artist on WMHT FM, WQXR FM's 'Young Artist Showcase', and NPR's 'Performance Today'. She has frequently been invited to perform as a soloist with orchestra, including appearances with the Lake Placid Sinfonietta, the Woodstock Chamber Orchestra, the Windham Chamber Players and in performances of the d'Albert and Barber cello concertos with the American Symphony Orchestra, directed by Leon Botstein. Most recently she appeared as a guest artist with the Greater Newburgh Symphony and the Yale Philharmonia. She is also a member of the internationally acclaimed new music ensemble, the Bang on a Can All Stars. Ashley was a full scholarship student at Bard college and recently received her Master's Degree and Artist Diploma from the Yale University School of Music where she studied with renowned cellist and professor, Aldo Parisot. Among her many awards are a grant from the New York Philharmonic Players Fund sponsored by Stephen and Elaine Stamas, top prizes in the Lois Lyman concerto competition ('99 & '01, an unprecedented achievement), the Hugo Kauder Memorial Strings competition in 2006 and the 2008 Yale University School of Music Woolsey Hall concerto competition. Most recently, Ashley's newly formed Lorien Trio received the Bronze Medal at the 2009 Fischoff National Chamber Music Competition.

Vicky Chow (Piano)

Canadian pianist Vicky Chow has performed extensively as a classical and contemporary soloist, chamber musician, and ensemble member, and has been described as “brilliant” (New York Times), “a monster pianist” (Time Out New York) “virtuosic” (New Jersey Star Ledger) and “sparkling” with a “feisty technique” (MIT Tech). Joining the All-Stars in 2009, Vicky has also performed with other groups such as Wordless Music Orchestra, Opera Cabal, Wet Ink Ensemble, ai ensemble and AXIOM. Her passion has propelled Vicky to work with an A-to-Z of leading composers and musicians such as John Adams, Louis Andriessen, Bryce Dessner (The National) Philip Glass,Glenn Kotche (Wilco), David Longstreth (Dirty Projectors), Steve Reich, Terry Riley, and Lee Ranaldo (Sonic Youth). Her first solo piano album of music composed by Ryan Francis has been released under the ‘tzadik’ label. She has also recorded for the Cantaloupe and altzVoz labels. In addition to performing, Ms. Chow also produces and curates “Contagious Sounds”, a new music series focusing on adventurous contemporary artists and composers at the Gershwin Hotel in New York City. Originally from Vancouver Canada, Ms. Chow studied at The Juilliard School with Yoheved Kaplinsky and Julian Martin (B.M, M.M. ‘Piano Performance’) before continuing studies at Manhattan School of Music (M.M., P.S. ‘Contemporary Performance’) with Christopher Oldfather. Starting the piano at age 5, she was invited to perform at the age of 9 at the International Gilmore Music Keyboard. She made her orchestral debut at the age of 10 with the Vancouver Symphony Orchestra made her last orchestral appearance at Alice Tully Hall with the Juilliard Symphony performing Bartok’s Piano Concerto No. 1. Ms. Chow resides in New York City.  www.vickychow.com

David Cossin (Percussion)

David Cossin is a specialist in new and experimental music. David has worked across a broad spectrum of musical and artistic forms to incorporate new media with percussion. He has recorded and performed internationally with composers and ensembles including the Bang on a Can All-Stars, Steve Reich and Musicians, Philip Glass, Yo-Yo Ma, Meredith Monk, Tan Dun, Cecil Taylor, Talujon Percussion Quartet, and the trio Real Quiet. Numerous theater projects include collaborations with Blue Man Group, Mabou Mines, and director Peter Sellars. David was featured as the percussion soloist in Tan Dun's Grammy and Oscar winning score to Ang Lee's film Crouching Tiger, Hidden Dragon. David has performed as a soloist with orchestras throughout the world including the Los Angeles Philharmonic, Orchestra Radio France, Saint Paul Chamber Orchestra, Sao Paulo State Symphony, Sydney Symphony, Gothenburg Symphony, Hong Kong Symphony, and the Singapore Symphony. David ventures into other art forms include sonic installations, which have been presented in New York, Italy and Germany. David is also an active composer and has invented several new instruments, which expand the limits of traditional percussion. David is the curator for the Sound Res Festival, an experimental music festival in southern Italy and also teaches percussion at Queens College in New York City.

Michael Gordon (Composer, Bang on a Can Co-Artistic Director)

Michael Gordon's compositions demonstrate a deep exploration into the possibilities and nature of rhythm and what happens when rhythms are piled on top of each other, creating a glorious confusion. John Adams, who has conducted Gordon's works with the London Sinfonietta and Ensemble Modern, calls these raw and complicated sounds "irrational rhythms." Gordon's special interest in adding dimensions to the concert experience has led to frequent collaborations with artists in other media. For example, in DECASIA, a multimedia orchestra piece with films by Bill Morrison and spectacle by Ridge Theater, the audience stands in the middle of a three-tiered, triangular structure surrounded by an orchestra and large projection scrims. DECASIA was commissioned by the Basel Sinfonietta and premiered at European Music Month 2001. Gordon's most significant recent project is a new CD for Nonesuch, "Light is Calling". The music here is sonic and sensual with layers of violins, electric guitars and voice in counterpoint with studio-based electronic creations. Other recent works include POTASSIUM for the Kronos Quartet, TRANCE for Icebreaker, and WEATHER, written for the young Hamburg-based string orchestra Ensemble Resonanz. Gordon's music has been presented at BAM, Lincoln Center, the Kennedy Center, Royal Albert Hall, the Bonn Oper, the Sydney 2000 Olympic Arts Festival, and the Holland, Rotterdam, Edinburgh, St. Petersburg, and Settembre Musica festivals, and in choreography of The Royal Ballet, Eliot Feld, Emio Greco/PC, among others. His CDs include LIGHT IS CALLING (Nonesuch), DECASIA (Cantaloupe), WEATHER (Nonesuch) and LOST OBJECTS (Teldec).

David Lang (Composer, Bang on a Can Co-Artistic Director)

"There is no name yet for this kind of music," writes Los Angeles Times music critic Mark Swed, but audiences around the globe are hearing more and more of David Lang's work: in performances by such organizations as the Santa Fe Opera, the New York Philharmonic, the San Francisco Symphony, The Cleveland Orchestra, and the Kronos Quartet; at BAM, Tanglewood, the BBC Proms, The Munich Biennale, the Settembre Musica Festival, the Sydney 2000 Olympic Arts Festival and the Almeida, Holland, Berlin, and Strasbourg Festivals; in theater productions in New York, San Francisco and London; in the choreography of Twyla Tharp, La La La Human Steps, The Nederlands Dans Theater and the Paris Opera Ballet. Lang's music was recently heard at BAM in The Most Dangerous Room in the House for choreographer Susan Marshall, for which he received a Bessie Award in 1999. Lang is composer-in-residence at the American Conservatory Theater in San Francisco. Recent projects include monumental musical environments like the dark and meditative amplified orchestra piece THE PASSING MEASURES; THE DIFFICULTY OF CROSSING A FIELD - an opera for the Kronos quartet with libretto by Mac Wellman and direction by Carey Perloff; the critically acclaimed opera MODERN PAINTERS about the curious and tragic life of art critic John Ruskin and the evening-length piano solo PSALMS WITHOUT WORDS. He is currently working on ANATOMY THEATER, an opera with visual artist Mark Dion, director Bob McGrath and the Ridge Theater, and concertos for percussionist Evelyn Glennie and pianist Andrew Zolinsky. The CD recording of THE PASSING MEASURES (Cantaloupe) was named one of the best CD's of 2001 by The New Yorker magazine. Other CDs include the introspective chamber work CHILD (Cantaloupe) and other works on Sony Classical, BMG, Point, Chandos, Argo/Decca, Caprice, CRI and Cantaloupe labels.

Brad Lubman (Conductor)

Brad Lubman (conductor) has gained widespread recognition during the past two decades for his versatility, commanding technique, and insightful interpretations. Conducting a broad range of repertoire from classical to contemporary works, Lubman has led major orchestras including DSO Berlin, RSO Stuttgart, SWR Orchestra Baden-Baden/Freiburg, WDR Symphony Cologne, Dresden Philharmonic, Orchestre Philharmonique de Radio France, Netherlands Radio Chamber Philharmonic, Taiwan National Symphony, and the Symphonieorchester des Bayerischen Rundfunks. He has conducted major ensembles for contemporary music, including Ensemble Modern, London Sinfonietta, Musik Fabrik, Klangforum Wien, Ensemble Resonanz, and the Los Angeles Philharmonic New Music Group. Lubman is music director of the new music ensemble Signal, founded in 2008 and hailed by The New York Times as “one of the most vital groups of its kind.” He is on faculty at the Eastman School of Music and the Bang on a Can Summer Institute.

Nicholas Photinos (Cello)

Nicholas Photinos (cello) is a founding member of the Grammy Award-winning, Chicago-based new music ensemble eighth blackbird. Formed in 1996, the ensemble performs throughout the world, giving 50-60 concerts annually, and has been featured on CBS’s Sunday Morning and in the New York Times. During the 2011/12 season eighth blackbird tours Australia twice, making debuts at the Sydney Opera House and the Brisbane Festival, and performs with the symphony orchestras of Melbourne and Tasmania. The ensemble plays in New York (SONiC festival), Washington DC's Kennedy Center, Kansas City, Ithaca and Princeton, and appears with the Cincinnati Symphony. Nicholas teaches at the University of Richmond and the University of Chicago, and since 2007 has taught at the Bang on a Can Summer Festival. He has also performed as a member of the Cabrillo Festival Orchestra and Canton and Columbus Symphony Orchestras, and performed and recorded with artists including Björk, Wilco, Autumn Defense, violinist Zach Brock, bassist Matt Ulery and singer Grazyna Auguscik. Nicholas is a graduate of Northwestern University, the Cincinnati College-Conservatory of Music and the Oberlin Conservatory of Music. He has recorded for the Nonesuch, Cedille and Naxos labels, among others.

Vicki Ray (piano)

Described as “phenomenal and fearless” Vicki Ray is one of the leading interpreters of contemporary piano music. A long-time champion of new music she has worked with some of the most prominent composers of our time, including figures as diverse as Gyorgy Ligeti, Pierre Boulez, Steve Reich, Elliot Carter, Esa-Pekka Salonen, Oliver Knussen, Louis Andriessen, Steven Stucky, David Lang, Julia Wolfe, Michael Gordon and Chinary Ung. Ms. Ray has commissioned and premiered numerous works, running the gamut from established composers such as John Adams, Morton Subotnick, Stephen Hartke, David Rosenboom, Paul Dresher, Rand Steiger, Kamran Ince and Eric Chasalow among others - to emerging young artists such as Amy Kirsten, Daniel Wohl and Oscar Bettison. Known for thoughtful and innovative programming which seeks to redefine the piano recital in the 21st century, Vicki’s concerts often include electronics, video, recitation and improvisation. As noted by Alan Rich, “Vicki plans programs with a knack for marvelous freeform artistry…what she draws from her piano always relates in wondrous ways to the senses.” As a founding member of Piano Spheres, an acclaimed series dedicated to exploring the less familiar realms of the solo piano repertoire, her playing has been hailed by the Los Angeles Times for “displaying that kind of musical thoroughness and technical panache that puts a composer’s thoughts directly before the listener.”As a pianist who excels in a wide range of styles Vicki Ray’s numerous recordings cover everything from the premiere release of the Reich You Are Variations to the semi-improvised structures of Wadada Leo Smith, from the elegant serialism of Mel Powell to the austere beauty of Morton Feldman’s Crippled Symmetries. Recent releases include Feldman’s For Christian Wolff on Bridge Records. Upcoming recordings include David Rosenboom’s Twilight Language on Tzadik Records and Feldman’s For Piano and String Quartet with the Eclipse Quartet on Bridge Records.Vicki has been the pianist with the west coast new music ensembles The California E.A.R Unit and Xtet. She is often featured on the Los Angeles Philharmonic Green Umbrella series and on the legendary Monday Evening Concerts series. She is currently head of the piano department at the California Institute of the Arts, where she has been on the faculty since 1991. In 2010 she was awarded the Hal Blaine Chair in Music Performance.  For current information on upcoming concerts please go to www.vickiray.org    

Todd Reynolds (Violin)

Todd Reynolds (violin) violinist, composer, conductor, and more, is known as one of the founding fathers of the hybrid-musician movement and one of the most active and versatile proponents of what he calls “present music.” A “daredevil musician” and violinist of choice for Steve Reich, Meredith Monk, and Bang on a Can, as well as a founder of the string quartet known as Ethel, his compositional and performance style is a hybrid of old and new technology, multi-disciplinary aesthetic, and pan-genre composition and improvisation. Reynolds’ music has been called “a charming, multi-mood extravaganza, playful like Milhaud, but hard-edged like Hendrix” (StringsMagazine), and his countless premieres and performances of everything from classical music to jazz to rock ‘n’ roll seem to redefine the concert hall and underground club as undeniably and unavoidably intertwined. He has played as soloist with Yo-Yo Ma and toured with John Cale, Joe Jackson, and Todd Rundgren, and continues to create new electronic and chamber music collaborations, enjoying orchestral, Broadway, and commercial careers along the way. His ongoing collaborations with composers, visual artists, and performers continue to contribute to his ever-expanding book of music, Nuove Uova, and to his ultra-flexible concert-theater format. He has just released a double CD set,Outerborough, on Innova Recordings, featuring InSide, a collection of his own music, paired with OutSide, music written by a veritable who’s who of contemporary composers.

Ken Thomson (clarinet, saxophone, improvisation)

Ken Thomson (clarinets, saxophone) is a Brooklyn-based clarinetist,  saxophonist, and composer. Called “the hardest-working saxophonist in  new-music show business” by Time Out NY, he performs with the  twelve-year running punk/jazz collective Gutbucket, is a member of  contemporary chamber ensemble Signal, and co-leads Bang on a Can’s  newest band, the Asphalt Orchestra: a 12-piece next-generation mobile  ensemble. As a composer, he has been commissioned by the American  Composers Orchestra, Bang on a Can, the True/False Film Festival, and  others, and has received awards from ASCAP and Meet the Composer. He  is a Conn-Selmer Artist, and endorses Sibelius Software and AMT  microphones. His first CD as a leader, It Would Be Easier If  (Intuition Records), hit multiple “top 10 of 2010” lists; The New York  Times review spoke of the “intricately wrought and incident-steeped” compositions and “gutsy precision of the playing.” www.ktonline.net

Julia Wolfe (Composer, Bang on a Can Co-Artistic Director)

Julia Wolfe's music is muscular and kinetic and experienced through the body. She creates journeys like unfolding dramatic landscapes, a music meant to be entered into by the listener. Wolfe's work is distinguished by this intense focus on sound, the power of sound, the ways in which sound is related to memory and experience, the possibilities for new harmonies between familiar chords and micro tonal tunings or sounds found in nature and the urban world. With a care and attention to detail that is both masterful and highly respectful, Wolfe's music celebrates the extraordinary qualities contained within something as specific as a gesture or an inflection. Julia Wolfe's music is heard around the world in performances at the Next Wave Festival at BAM, the Sydney Olympic Arts Festival, Settembre Musica (Italy), the Holland Festival, Theatre de la Ville (Paris), the San Francisco Symphony, and more . Upcoming works include a string quartet concerto for Kronos quartet and Orchestra, a new work for the Munich Chamber Orchestra, a new work for music with film for the Asko Ensemble, an accordian concerto commissioned by the Miller Theater. Recent collaborations include the provocative theater piece, House Arrest, with playwright and performing artist Anna Deavere Smith; The Carbon Copy Building with comic book artist Ben Katchor, the Ridge Theater Company and composers Michael Gordon and David Lang; and Lost Objects, an oratorio with Gordon, Lang, and writer Deborah Artman that will receive it's first staged production under the direction of Francois Girard at BAM's Next Wave Festival 2004. For The Carbon Copy Building, she received the 2000 Village Voice OBIE Award for Best New American Work. Wolfe received a 2001 OBIE for the music to Jennie Ritchie, a collaboration with playwright Mac Wellman and Ridge Theater. Her recent recording "Julia Wolfe - The String Quartets" was released on the Cantaloupe label. Her music has also been recorded on Teldec, Universal, Sony Classical, and Argo/Decca. 
 

Special Guests

Nani Agbeli (African Drumming & Dance) 

Nani Agbeli is an Ewe man from the village of Kopeyia in the Volta Region of Ghana. From his childhood, Nani received drum and dance training from his father, the late Godwin Agbeli. Nani Agbeli also studied traditional music and dance at the National Arts Center in Accra. In the 1990s Nani performed with and led Sankofa Roots II, an award-winning troupe. For nine years he was a drum and dance instructor at the Dagbe Cultural Center, a cultural tourism facility in his hometown that is now directed by his elder brother, Emmanuel Agbeli. Nani has been invited as guest artist at the University of Ghana and the Edna Manley School in Jamaica. After moving to the United States in 2006 he has taught at many colleges including the Berklee College of Music, Bowling Green University, the University of Virginia, Lawrence Conservatory, Mt. Holyoke College, and the University of Wisconsin. He has had residencies at elementary schools and done many special presentations for K-12 music educators. Nani currently lives in Boston, Massachusetts. He is on the faculty of the Music Department of Tufts University where he directs the Kiniwe Ensemble and teaches an integrated curriculum in the traditional singing, drumming and dancing of Ghana. He also teaches at Brandeis University and the Five Colleges in Amherst, MA and is the Artistic Director of the Agbekor Drum and Dance Society, a community-based group in Greater Boston that was founded by Professor David Locke of Tufts University (www.agbekorsociety.org). Nani Agbeli leads study tours to Ghana in July-August and is available for performances, workshops, residencies and lecture-demonstrations.