When Michael Gordon’s Timber, scored for six amplified wooden 2-by-4s, premiered in 2009, it brought the physicality and endurance of percussion performance to a new level. In the liner notes for Slagwerk Den Haag’s recording of the piece, released on Cantaloupe Music in 2011, Gordon described a connection to the work of shamanist author Carlos Castaneda, whose self-imposed spirit journey in the desert could wipe the brain clean and “bring on visions.”

Newly recorded by Mantra Percussion and reworked by an A-list of producers and DJs, Gordon’s deep exploration into the extreme possibilities of rhythm gets the full electronic treatment on Timber Remixed. The double-CD set also includes Mantra’s live performance of Timber from the 2014 Bang on a Can Marathon.

Six key remixes by Squarepusher, Oneohtrix Point Never, Fennesz and more are also available on limited edition, individually numbered 180-gram vinyl.

Watch the promo video with Michael Gordon.

Learn more and purchase the album on Cantaloupe Music

The Bang on a Can All-Stars tour Europe this November, including a music institute in conjunction with fellows from the Villa Musica academy in Germany

Nov 18 - Hamburg

Nov 19 - Brussels

Nov 20-26 - concerts and residency in Mainz and Neuwied, Germany

More details on our events page!

As part of Bang on a Can's on-going partnership with the Jewish Museum, we present composer/performer Pauline Oliveros, to accompany the exhibit Take Me (I’m Yours). Oliveros will perform The Sound of Meditation on her V-Accordion, an instrument that produces both accordion and orchestral sounds. The concert blurs the boundary between the performer and the audience by asking the listener to participate in the making of music.

November 10 at 7:30pm

The Bang on a Can All-Stars perform Field Recordings at the Teatro alle Tese as part of the Venice Biennale!


Julia Wolfe: Reeling
Florent Ghys: An Open Cage
Michael Gordon: Gene Takes a Drink with film by Bill Morrison
Christian Marclay: Fade to Slide with film by Christian Marclay
David Lang: unused swan
Tyondai Braxton: Casino Trem
Jóhann Jóhannsson: Hz with film
Todd Reynolds: Seven Sundays
Steve Reich: The Cave of Machpelah
Bryce Dessner: Letter 27 with film
Anna Clyne: A Wonderful Day 

This September, Bang on a Can and Found Sound Nation's OneBeat, the world’s foremost residency celebrating music as social practice, returns for its fifth year, convening innovative musicians from every region of the world to the U.S. for one exhilarating month of performances, discussions, interactive music-making events, and more. OneBeat grew out of a notion that musical collaboration is a uniquely powerful way to connect people across political and cultural barriers, which can in turn cultivate an international network of sonic change-makers who make a powerful impact on their local and global communities.

This year OneBeat focuses on Musical Migrations, exploring how large movements of people have shaped music, and conversely, how music can encourage dialogue, community resilience, and rootedness in situations of displacement and upheaval.

OneBeat 2016’s tour traces the route of the Great Migration, honoring the global impact of African-American music by connecting with musical communities in the birthplace of Jazz (New Orleans), the home of Bessie Smith (Chattanooga), and a sweet home for blues, electronic music, and hip hop (Chicago). In each of these sites, OneBeat fellows will perform and record their brand-new works, produce videos, and lead generative workshops in collaboration with local community organizations.

OneBeat is an initiative of the U.S. Department of State’s Bureau of Educational and Cultural Affairs, produced by Bang on a Can’s Found Sound Nation.

On Sunday September 11, the Argus String Quartet & Friends perform a concert featuring the music of Martin Bresnick, in honor of the composer’s 70th birthday. Bresnick’s expressive and direct music has influenced a generation of composers, including many Bang on a Can regulars. The program is fancifully titled "Homeward bound with a lawyer-horse, mice, and a worker who reads" and will include his Going Home, String Quartet #2 (Bucephalus), Josephine the Singer, and Songs of the Mouse People.

Concerts at the Noguchi are free with museum admission.

more info

September 7-11, 2016

BAM, Brooklyn, NY

He appears to float in the nothingness. Confined to a tall tower 20 feet above the seats, he is alone, broken, and has a story to tell.

In this daringly staged one-act opera from Pulitzer Prize-winning composer David Lang— featuring mezzanine-only seating and based on the novel by Austrian writer Thomas Bernhard— a failed piano student (baritone Rod Gilfry, Anna Nicole, 2013 Next Wave) recounts a life lived in the shadows of his famous friend Glenn Gould. As virtuoso pianist Conrad Tao and a chamber ensemble conducted by Karina Cannelakis accompany from far in the distance, the cavernous space engulfs the singer, as he sings of the distance that separates beauty from perfection.

Libretto, music, and stage direction by David Lang
Adapted from the novel by Thomas Bernhard
Translated from German by Jack Dawson
Conducted by Karina Canellakis
Lighting design by Jennifer Tipton
Set design by Jim Findlay
Sound design by Jody Elff
Costume design by Suzanne Bocanegra

Commissioned by BAM
Produced by Bang on a Can

American Contemporary Music Ensemble (ACME), praised by The New York Times for its "tight, viscerally powerful performances" plays Philip Glass' luminous String Quartet No. 5 from 1991 and Meredith Monk's only string quartet Stringsongs from 2005, which they recently recorded for Q2 Music's Meet the Composer Series. ACME Artistic Director Clarice Jensen gives the world premiere of ACME violinist/violist and composer Caleb Burhans' brand new solo cello piece, written for her.

AUGUST 14 at 3pm

Concerts at the Noguchi are free with museum admission and take place in the garden, weather permitting, or in the galleries, with some mats and limited bench seating available. Seating is on a first-come, first-served basis.

photo: Mark Shelby Perry